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Sep 14, 2020 Joseph Nechvatal
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a millionmillion conscious machines  (1997) cyber-poem written by Joseph Nechvatal for Das Neural Netz catalogue for the Galerie Karin Sachs (Munich) exhibition of Joseph Nechvatal and Mathias Groebel titled  Das Neural Netz
Topics: 1997, cyberpoem, Das Neural Netz
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Aug 29, 2020 Joseph Nechvatal
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Joseph Nechvatal French Biographie Narrative
Topics: Joseph Nechvatal, French, biographie
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Jul 23, 2020 Artist’s Statement Joseph Nechvatal Orlando et la tempête Galerie Richard 74, rue de Turenne 75003 Paris from September 5th – October 21st 2020
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Artist’s Statement by Joseph Nechvatal for the exhibition Orlando et la tempête  at Galerie Richard 74, rue de Turenne 75003 Paris from September 5th to October 21st 2020
Topics: Joseph Nechvatal, Orlando, Tempest, Artist Statement, 2020, art, virus
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Jun 16, 2020 Joseph Nechvatal
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Joseph Nechvatal’s Art Springs Algorithms is an article by Jessica Robinson published June 15, 2020 at the web magazine Berkshire Fine Arts
Topic: Joseph Nechvatal
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REAL TIME {a procedure of ignudiO excess} is a 2004 artist statement by Joseph Nechvatal for his exhibition (by the same name) at Universal Concepts Unlimited Gallery at 507 West 24th Street New York, NY 10011 from February 21 to March 27, 2004 
Topics: Joseph Nechvatal, artist statement, 2004, excess, art theory, art history, real time
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Apr 30, 2020 Joseph Nechvatal
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Viral Consciousness and Critique  is a paper delivered by Joseph Nechvatal on April 26, 2006 at the Institute for Cultural Research, Department of History at Lancaster University as part of the seminar Art, Politics and the Life Sciences Art, Science and Critique chaired by Kirk Woolford 
Topics: Joseph Nechvatal, art theory, 2006, virus, painting, critique, Lancaster University
Joseph Nechvatal ec-satyricOn 2000  is an art review by Robert C. Morgan of Joseph Nechvatal's 2000 exhibition at Universal Concepts Unlimited (507 West 24 Street, New York, N.Y. 10011) that was published at NY Arts Magazine in December 2000 
Topics: Joseph Nechvatal, Robert C. Morgan, Satyricon, 2000, art review, art history
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Apr 30, 2020 Joseph Nechvatal
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Origins of Virtualism  is a 2003 interview with Frank Popper conducted by Joseph Nechvatal. This is the entire unedited interview that appeared in reduced form in the Spring 2004 issue of the CAA Art Journal pp. 62-77
Topics: Joseph Nechvatal, Frank Popper, 2003, interview, virtuality, virtual art, digital art, art theory,...
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Apr 29, 2020 Joseph Nechvatal
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Joseph Nechvatal  is a text by Frank Popper from 2001 that was revised and published in 2006 in Frank Popper’s MIT Press book From Technological to Virtual Art (pp. 120-123)
Topics: Joseph Nechvatal, Frank Popper, 2001, painting, art history, digital art
The chaotic magical order of Austin Osman Spare and some relevant deliberations on the techno-phantasmagorical subject  is a paper by Joseph Nechvatal delivered October 18th 2001 at the School of Visual Art (SVA) SVA 20 Conference
Topics: Joseph Nechvatal, Austin Osman Spare, lecture, 2001, chaos magic, art theory, digital art, art...
Seth Thompson interview of Joseph Nechvatal on April 24, 2006 related to the Joseph Nechvatal: Contaminations exhibition at Butler Institute of American Art, Beecher Center for the Electronic Arts in Youngstown, Ohio 
Topics: Joseph Nechvatal, Seth Thompson, interview, 2006, digital art, art history
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Apr 28, 2020 Joseph Nechvatal
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Joseph Nechvatal: Contaminations  is an art review by Patrick Lichty in Intelligent Agent Magazine Spring 2006 concerning the exhibition Joseph Nechvatal: Contaminations  at the Butler Institute of American Art Beecher Center for the Electronic Arts in Youngstown, Ohio in 2006
Topics: Joseph Nechvatal, 2006, Butler Institute of American Art, art history, painting, digital art
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Apr 28, 2020 Joseph Nechvatal
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vOluptuary: an algorithic hermaphornology is an artist’s statement by Joseph Nechvatal for his May 2002 art exhibition at Universal Concepts Unlimited Gallery in New York City:  vOluptuary: an algorithic hermaphornology
Topics: Joseph Nechvatal, artist statement, 2002, painting, digital art, art history
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Aesthetic States of Frenzy: Friedrich Nietzsche’s aesthetic philosophy and the Odyssey Palimpsest is an art theory paper by Joseph Nechvatal written for the September 2016 Punctum Press book The Digital Dionysus: Nietzsche and the Network-Centric Condition by Dan Mellamphy  (Author), Nandita Biswas Mellamphy (Editor) 
Topics: Joseph Nechvatal, Nietzsche, frenzy, 2012, art theory, punctual
ec-satyricOn 2000 {bodies in the bit-stream} compliant : a mingling of the virtual, the aesthetic, and the sexual  is a 2000 artist statement by Joseph Nechvatal for his exhibition of computer-robotic assisted paintings  ec-satyricOn 2000  held at Universal Concepts Unlimited Gallery at 507 W 24th Street, NYC in 2000
Topics: Joseph Nechvatal, 2000, artist statement, painting, art history, Satyricon
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Apr 27, 2020 Joseph Nechvatal
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Christiane Paul on Joseph Nechvatal in her book Digital Art (Thames & Hudson) 2003, pp. 57-58 
Topics: Joseph Nechvatal, Christiane Paul, Art history, digital art, 2003
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Apr 27, 2020 Joseph Nechvatal
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The Laws of Cool: on the Viral Infected Art of Joseph Nechvatal is a text by Alan Liu on Joseph Nechvatal in his book The Laws of Cool published by The University of Chicago Press in 2004
Topics: Joseph Nechvatal, Alan Liu, Laws of Cool, art history, 2004, University of Chicago
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Apr 26, 2020 Joseph Nechvatal
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Joseph Nechvatal : Laminations of the Soul is a 1990 text on Joseph Nechvatal by Robert C. Morgan published in the Editions Antoine Candau 1990 Joseph Nechvatal Catalogue  
Topics: Joseph Nechvatal, Robert C. Morgan, 1990, art history, art theory, painting
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nunciative mOdality is a 2002 artist statement by Joseph Nechvatal for the Media City Seoul art exhibition in 2002 in Seoul, South Korea 
Topics: Joseph Nechvatal, South Korea, artist statement, Seoul, 2002
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Apr 26, 2020 Joseph Nechvatal
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Joseph Nechvatal’s Visionary Computer Virus  is a text by Robert C. Morgan written in 1993 for the book Joseph Nechvatal: Computer Virus Project  published by Saline Royale d’Arc-et-Senans and FRAC Franche-Comte in 1993.
Topics: Joseph Nechvatal, Robert C. Morgan, Saline Royale d’Arc-et-Senans, Computer Virus Project, art,...
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The Urge for Image and the Saturated Eye (a speculation)  is an artist statement by Joseph Nechvatal written in 1990 and first published in the book Joseph Nechvatal: Collected Essays 1983-1990 - a selection of collected early writing by Joseph Nechvatal with additional texts by Collins & Milazzo and Robert C. Morgan, published by Éditions Antoine Candau, Paris, France in 1990. It was also published in the mid-1990s on the internet at Perforations 15: Down the Rabbit Hole: Memory and It's...
Topics: Joseph Nechvatal, art theory, speculation, image excess, 1990, art history
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Apr 25, 2020 Joseph Nechvatal
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Towards a Soundly Ecstatic Electronica  is a 2010 noise music theory paper by Joseph Nechvatal published by Fylkingen: New Music and Intermedia Art in Hz , #15, September 2010
Topics: Joseph Nechvatal, 2020, music theory, art theory, noise music, sound art
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Apr 25, 2020 Joseph Nechvatal
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Immersive Excess in the Apse of Lascaux is a paper and lecture by Joseph Nechvatal presented on the 13th of June 2003 at IRCAM in Paris as part of a seminar event called RE/MIX 06 organized by Manuela De Barros and Philippe Codognet.
Topics: Joseph Nechvatal, Lascaux, art theory, art history, 2003
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ignudiO OvOidism: the concept and procedure of satOvial excesses is an artist statement written by Joseph Nechvatal in 2003 
Topics: Joseph Nechvatal, artist statement, art theory, 2003
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Introduction to Joseph Nechvatal’s Computer Virus Project 2.0 by Joseph Nechvatal & Stephane Sikora 2001 
Topics: Joseph Nechvatal, Stephane Sikora, virus project, virus. art theory, art history
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Apr 23, 2020 Joseph Nechvatal
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Joseph Nechvatal: Paintings 1986-1987 : The Ghost of Electricity is a 1988 text by Barry Blinderman from the  Joseph Nechvatal: Paintings 1986-1987  catalogue for an exhibition of Joseph Nechvatal’s computer-robotic assisted paintings that Barry Blinderman organized for the University Galleries at Illinois State University in Normal, Illinois in 1988 
Topics: Joseph Nechvatal, painting, digital art, 1988
The Magazine Rack
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Robert C. Morgan's art review of Joseph Nechvatal's exhibition vOluptuary : an algOrithic hermaphOrnOlgy at Universal Concepts Unlimited Gallery May 22 – July 3, 2002 at 507 West 24th Street, New York City that was published in Tema Celeste Magazine #93 (page 94) in Fall 2002 
Topics: Joseph Nechvatal, Robert C. Morgan, art review, 2002, art history Tema Celeste Magazine, art...
The Magazine Rack
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Viral Attacks: The Work of Joseph Nechvatal is a text by Seth Thompson published at Zing Magazine in August 2006 
Topics: Joseph Nechvatal, Seth Thompson, art review, 2006, digital art, painting
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Apr 23, 2020 Joseph Nechvatal
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polyALTERITY Joseph Nechvatal is a text by Sarah Maline written for the catalogue of the 2000 polyALTERITY exhibition at the Art Gallery at University of Maine at Farmington in Farmington, Maine
Topics: Joseph Nechvatal, Sarah Maline, painting, digital art, Farmington, Maine, art history, art theory,...
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Visionary Art: William Blake, Leonardo da Vinci, The Apse of Lascauxis  is a talk by Joseph Nechvatal delivered on 11/20/2006 at the University of Perpignan's Heterologies Master of Letters & Languages ​Program, directed by Didier Girard 
Topics: Joseph Nechvatal, visionary art, Leonardo da Vinci, William Blake, Lascaux, art theory, 2006,...
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The Emerging Arts in 2000 is a lecture by Joseph Nechvatal delivered at Oberlin College in application for The Henry Luce Professorship in the Emerging Arts Position
Topics: Joseph Nechvatal, lecture, digital culture, art theory, Oberlin College
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Apr 21, 2020 Joseph Nechvatal
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Joseph Nechvatal on the Spiritual in Art (2011)
Topics: Joseph Nechvatal, 2011, spirituality, art
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Joseph Nechvatal interviewed by Michelle Tavano on February 8, 2010 about painting in the digital era
Topics: Joseph Nechvatal, interview, 2010, painting, digital art, digital era
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Apr 20, 2020 Joseph Nechvatal
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Attractions of Collaborative Chaos: Collaborative Projects and ABC No Rio  is a short art historical paper by Joseph Nechvatal about the early 1980s downtown New York City art scene written in 2012 and substantially revised in 2020.
Topics: Joseph Nechvatal, ABC No Rio, Collaborative Projects, art history, new york city, postmodernism
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Nina Zivancevic 2011 interview of Joseph Nechvatal for A Gathering Of The Tribes 
Topics: Joseph Nechvatal, Nina Zivancevic, interview, 2011
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Apr 19, 2020 Joseph Nechvatal
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Tricia Collins and Richard Milazzo 1985 text on Joseph Nechvatal The New Sleep: Stasis and the Image-Bound Environment published in the Fall Issue of Art Journal pp. 244 -245
Topics: Joseph Nechvatal, Richard Milazzo, Tricia Collins, 1985, art, text
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In early September of 2011, Vivian at Notes from the Vomitorium conducted a four-day email interview with Joseph Nechvatal about the art of noise. 
Topics: Joseph Nechvatal, art of noise, noise, noise music
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Apr 19, 2020 Joseph Nechvatal
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IF/THEN Viral Logarithmic and Algorithmic Connections  is an art essay about the virus as a cultural trope written by Joseph Nechvatal and published at Hyperallergic  on April 19, 2020 as From Viruses to Algorithms, We Are Always Under Threat
Topics: Joseph Nechvatal, art theory, computer virus, virus, viral culture, 2020
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Phillip Pocock 1992 Interview with Joseph Nechvatal in Journal of Contemporary Art , Vol. 5, No. 2. 
Topics: Joseph Nechvatal, Phillip Pocock, interview, 1992, art history
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Apr 18, 2020 Joseph Nechvatal
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On the Art of Joseph Nechvatal is a text by Paul Crowther in his Routledge book Digital Art, Aesthetic Creation the Birth of a Medium , pp.130 – 134
Topics: Joseph Nechvatal, Paul Crowther, digital art, digital painting, painting, art
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Apr 18, 2020 Joseph Nechvatal
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The Attractions of Cybism is a 2000 art theory paper and exhibition proposition by Joseph Nechvatal published in Concatenations in 2013 in revised form.  
Topics: Joseph Nechvatal, Cybism, 2000, art theory, art, science, technology
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Joseph Nechvatal :  nOise anusmOs is an art review of Joseph Nechvatal's exhibition  nOise anusmOs at Galerie Richard   NYC by Robert C. Morgan published in the June 2012 issue of The Brooklyn Rail 
Topics: Joseph Nechvatal, Robert C. Morgan, art review, 2012, painting, digital art
The Magazine Rack
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On Joseph Nechvatal's Computer Virus Project I is an art essay written by Jay Murphy article in Galleries Magazine in 1995
Topics: Joseph Nechvatal, Jay Murphy, computer virus project, art review, Galleries Magazine, 1995
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Apr 18, 2020 Joseph Nechvatal
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The unseen/seenness of becOming multiple  is an art theory paper written by Joseph Nechvatal in 2015 for Interallia Magazine: an online magazine dedicated to the interactions between the arts, sciences and consciousness August 2015 issue 
Topics: Joseph Nechvatal, Interallia, art theory, philosophy, perception, art
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Apr 17, 2020 Joseph Nechvatal
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Computer Cynicism is an art theory paper written by Joseph Nechvatal in Paris in 1995 and published in Intelligent Agent: Interactive Media In Arts and Education Vo. 1, No. 12, 1997, pp. 155 and 165-166 
Topics: Joseph Nechvatal. computers, cynicism, art theory, 1995, information revolution, art
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Interview with Joseph Nechvatal by Elsa Ayache on painting in the digital era was conducted on 12/16/2006 in Paris for her August 2007 paper (in French) called Joseph Nechvatal: le grand écart numérique de la peinture by Elsa Ayache for Art et histoire de l’art. Université Michel de Montaigne - Bordeaux III
Topics: Joseph Nechvatal, Elsa Ayache, interview, 2006, painting, digital art, digital era, art history
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Apr 17, 2020 Joseph Nechvatal
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Presidential Erasures: Portrait of the 45th President of the United States is an interview with Joseph Nechvatal on 1/16/2017 that was published at Nictoglobe: Online Magazine of Arts & Acts New Media for the Bohemian Masses Volume 27 Issue 4 Winter 2017 ISSN 1874-9534
Topics: Joseph Nechvatal, Nictoglobe, interview, 2017, art, politics, Donald Trump, art theory
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Apr 16, 2020 Joseph Nechvatal
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Art review of Joseph Nechvatal's exhibition COMPUTER VIRUS 1.0 AND THE RETURN OF LAZARUS by L. Brandon Krall that was published at The Quiet Lunch on November 22, 2017 
Topics: Joseph Nechvatal, Brandon Krall, 2017, art review
The Magazine Rack
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Our Digital Noology: Catherine Perret in Conversation with Joseph Nechvatal  was web published in 2007 at SCAN: A magazine of media arts essays and reviews on 10/09/2007
Topics: Joseph Nechvatal, Catherine Perret, conversation, 2007, digital theory, art theory
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phantasmagorical audio raises it comely head: traveling thoughts on the viral symphOny is an artist statement by Joseph Nechvatal concerning his viral symphOny sound sculpture that was presented at the AHA Festival at  Chalmers University of Technology in Gothenburg Sweden in 2016
Topics: Joseph Nechvatal, viral symphony, audio art, noise music, music theory, art theory, sound studies
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Reorganized Meditations on Mnemonic Threshold is an art theoretical paper by Joseph Nechvatal from 1988 published in M/E/A/N/I/N/G Contemporary Art Issues , No. 4, November, 1988  and republished in M/E/A/N/I/N/G: an anthology of artists' writings, theory, and criticism , Susan Bee & Mira Schor eds., Duke University Press, 2000, pp. 354-355
Topics: Joseph Nechvatal, artist statement, 1988, art theory, new technology, memory, overload, meaning
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Art as Mental Prosthetic : The Non-Logocentric Body in the Bit-Stream is a 1997 talk by Joseph Nechvatal delivered at the University of Wales, Newport, Wales, U.K. at the beginning of his Ph.D. in the Philosophy of Art at the Centre for Advanced Inquiry in the Interactive Arts (CAiiA-STAR), University of Wales, Newport, Wales, U.K. 
Topics: Joseph Nechvatal, art theory, media studies, art, 1997, talk, Wales
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Balancing Art and Complexity: Joseph Nechvatal's Computer Virus Project  is a technical paper on the Computer Virus Projects of Joseph Nechvatal by Stéphane Sikora
Topics: Joseph Nechvatal, Stéphane Sikora, art theory, computer programming, artificial life
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A-life Undeadening of Painting via the Algorithmic  is a position paper by Joseph Nechvatal delivered at the Photography, Painting and Sculpture: Working Digitally conference organized by Saul Ostrow at The Cleveland Institute of Art on February 23rd, 2005.
Topics: Joseph Nechvatal, art theory, 2005, artificial life, digital art, painting, photography, sculpture,...
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Voluptuous Viractualism  is an artist statement by Joseph Nechvatal published in Simultaneita  a Roman new media arts magazine in 01/2003 
Topics: Joseph Nechvatal, art theory, artist statement, 2003, virtuality, digital art, new media,...
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Apr 15, 2020 Joseph Nechvatal
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This is a 2017 paper by Taney Roniger on Joseph Nechvatal’s painting penelOpe pandemOnium  that was published at Whitehot Magazine in english and translated to french for Transverse
Topics: Joseph Nechvatal, Taney Roniger, penelope, painting, art
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S.K.G. Noise/Admiration March 2012 interview with Joseph Nechvatal on the topics of philosophy, art, and noise music
Topics: Joseph Nechvatal, Noise, Interview, 2012, art, philosophy, noise music
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Apr 13, 2020 Joseph Nechvatal
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2013 Joseph Nechvatal interview by Edwin Kelly for Versejunkies: the journal of intersemiotic translation 1.2 : a journal dedicated to the theory and practice of translation across mediums
Topics: Joseph Nechvatal, Edwin Kelly, interview, 2013, Versejunkies, art history, art theory, art, noise...
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Apr 13, 2020 Joseph Nechvatal
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 extensive 2012 Joseph Nechvatal interview by Taney Roniger published at anti-utopias and Caldaria  
Topics: Joseph Nechvatal, Taney Roniger, 2012, interview, art history, art theory
The Magazine Rack
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2011 interview with Joseph Nechvatal by Peter Macsovszky for kloaka 1/2011 Czech Magazine
Topics: Joseph Nechvatal, Peter Macsovszky, interview, 2011, art theory, noise music
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Apr 13, 2020 Joseph Nechvatal
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A Portrait of Arbois's 1993 Fete de Vin  is a 1993 text by Joseph Nechvatal that was published in 2009 in Nechvatal's book  Towards an Immersive Intelligence: Essays on the Work of Art in the Age of Computer Technology and Virtual Reality (1993-2006)  that was published by Edgewise Press, New York, NY
Topics: Joseph Nechvatal, Arbois, wine, commerce, wine tasting 1993
2015 Joseph Nechvatal interview with Thyrza Goodeve published in the December/January 2015-2016 issue of The Brooklyn Rail
Topics: Joseph Nechvatal, Thyrza Goodeve, interview, 2015, art history
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Apr 13, 2020 Joseph Nechvatal
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Post-Simulation Decadence  is a 1987 art theory essay written by Joseph Nechvatal. It was published in Arts Magazine , Summer Issue, 1987
Topics: Joseph Nechvatal, Simulation, Decadence, art theory, philosophy, art
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Apr 13, 2020 Joseph Nechvatal
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On Nietzsche and the Odyssey Palimpsest by Joseph Nechvatal is a draft of Aesthetic States of Frenzy: Nietzsche’s Aesthetic Palimpsest written in 2016 for the Dan Mellamphy & Nandita Biswas Mellamphy (eds.) The Digital Dionysus book ( pp. 218-235, Chapter 14)
Topics: Joseph Nechvatal, Nietzsche, frenzy, art theory, Odyssey, Palimpsest
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Apr 13, 2020 Joseph Nechvatal
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April 2020 Alonso Cedillo interview of Joseph Nechvatal on the viral era
Topics: Joseph Nechvatal, Alonso Cedillo, interview, virus, art theory, art, viral era
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Apr 12, 2020 Joseph Nechvatal
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On Art And Failure was an art paper written by Joseph Nechvatal for The New School for Social Research 2013 Graduate Conference  Failures  held Friday, April 12, 2013.
Topics: joseph Nechvatal, New School for Social Research, 2013, art theory, failure, error, chance,...
The Magazine Rack
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HIGH STYLE is an art essay by Joseph Nechvatal published in Arts Magazine , April Issue 1987
Topics: Joseph Nechvatal, high style, surrealism, drugs, art, consciousness
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Apr 12, 2020 Joseph Nechvatal
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Donald Kuspit on Joseph Nechvatal in  The Matrix of Sensations published in 2005 at Artnet
Topics: Joseph Nechvatal, Donald Kuspit, art history, digital art
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SUPERFACTS  is a 1985 theoretical artist statement on image information overload by Joseph Nechvatal that was published in  Spectacle: A Field Journal from Los Angeles  #4 September 1985
Topics: Joseph Nechvatal, overload, data overload, excess, image excess, theory, art theory, visual culture
Interview of Joseph Nechvatal by Nicolas Ballet recorded live on September 20th 2015 chez Nechvatal in Paris about Industrial Culture, Noise Music and New York Art Scene in the 1970s and 1980s
Topics: Joseph Nechvatal, Nicolas Ballet, Industrial Culture, Industrial Music, Noise Music, New You City,...
2/27/2007 talk by Joseph Nechvatal DIGITAL DIVING: A “CUT AND PASTE” UPDATE: A PANEL DISCUSSION at The School of Visual Arts (SVA)  
Topics: Joseph Nechvatal, digital divise, SVA, talk, art theory, 2007, cut and paste
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T h e  E m e r g i n g  V i r a c t u a l  A r t  o f  O v O i d i s m   is a 2003 long artist statement by Joseph Nechvatal
Topics: Joseph Nechvatal, artist statement, 2003, virtuality, art theory
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ignudiO OvOidism: the concept and procedure of satOvial excess is a   2003 artist statement Joseph Nechvatal
Topics: Joseph Nechvatal, excess, artist statement, 2003, digital art, painting, pansexuality
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2005 Pierluigi Casolari interview of Joseph Nechvatal on his computer virus project published in Italian on the net at monitorweb (defunct) as i maestri della virus-art 
Topics: Joseph Nechvatal, Pierluigi Casolari, computer virus, art, virus
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On the occasion of his exhibition prOtOcOls nOn (May 30 - June 25, 2012) at Galerie Richard in Paris,  Joseph Nechvatal spoke with Taney Roniger about his work and 2011 book Immersion Into Noise.
Topics: Joseph Nechvatal, Taney Roniger, interview, 2012, art theory, art history, immersion. art of noise,...
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Jean Baudrillard and a Counter-Mannerist Art of Latent Excess  is a paper by Joseph Nechvatal that was published at the International Journal of Baudrillard Studies Volume 3, Number 2 (July 2006)
Topics: Joseph Nechvatal, Jean Baudrillard, art theory, philosophy, art theory, mannerism
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Joseph Nechvatal 2011 artist talk: Emergence of the New Paradigm Viractuality delivered at University of Maryland in Baltimore
Topics: Joseph Nechvatal, Viractuality, Talk, University of Maryland, Baltimore, art theory, art history,...
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Jean-Pierre Caron 2014 interview of Joseph Nechvatal concerning Conceptual Art, Noise Music and Minóy
Topics: Joseph Nechvatal, Jean-Pierre Caron, 2014, sound art, audio art, art theory, music theory, noise,...
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Apr 10, 2020 Joseph Nechvatal
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2014 Joseph Nechvatal interview by Katia Haus for dr^k magazine 
Topics: Joseph Nechvatal, Katia Haus, interview, 2014, art theory, art history, colab, art
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Apr 10, 2020 Joseph Nechvatal
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2004 Curt Bozif email interview of Joseph Nechvatal about Painting
Topics: Joseph Nechvatal, Curt Bozif, painting, art, art theory, virtuality, internet, digital image,...
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Apr 9, 2020 Joseph Nechvatal
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2004 Pierre Morelli email interview of Joseph Nechvatal 
Topics: Joseph Nechvatal, Pierre Morelli, interview, 2004
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Apr 9, 2020 Joseph Nechvatal
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Joseph Nechvatal and Critical Pleasure is an art essay by Johanna Drucker from 1996 that was published in the Frank Berndt  Joseph Nechvatal catalogue in Koln in 1996 
Topics: Joseph Nechvatal, Johanna Drucker, Frank Berndt, art essay, critical, pleasure, critical studies,...
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Apr 9, 2020 Joseph Nechvatal
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2002 Tobey Crockett Email Interview of Joseph Nechvatal on his Art Music
Topics: Joseph Nechvatal, audio art, noise music, art theory, Tobey Crockett, interview, 2002, art of noise
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A  2002 lecture by  Joseph Nechvatal delivered  at School of Visual Arts (SVA) in New York City and at Alfred University in  Alfred New York
Topics: Joseph Nechvatal, Lecture, School of Visual Arts, Alfred University, 2002, digital art theory,...
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Viractuality : Martha Trivizas interview of Joseph Nechvatal in 2001 at SVA in NYC. The basis of Joseph Nechvatal’s School of Visual Art class is that computer technology has become a significant means to making and understanding contemporary art. Consequently, we are investigating art (in its many forms - including sculpture, performance, painting, video, architecture, literature, net art, electronic music and more) which addresses the merging of the computed (the virtual) with the...
Topics: Joseph Nechvatal, Martha Trivizas, Viractuality, Art Theory, Cyberculture, Internet, VR, art
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Apr 7, 2020 Joseph Nechvatal
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Joseph Nechvatal wrote this cybersex farce novella   ~~~~~~~~~~~~~~~~~venus©-~Ñ~vibrator, even during his artist-in-residency at the Cite des Art International in Paris in 1995. He edited it to this final version in NYC in 1999. A portion was presented via an audio computer reading as part of his art exhibition vOluptuary : an algorithic hermaphornology held at Gallery Universal Concepts Unlimited in NYC spring 2003
Topics: Joseph Nechvatal, cybersex, farce, novella, cyber theory, art theory, immersion, Paris, Venus,...
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Apr 7, 2020 Joseph Nechvatal
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This paper, by Joseph Nechvatal, was delivered at the Consciousness Reframed '98 Conference which was held at Roy Ascott's Centre for Advanced Inquiry in the Interactive Arts (CAiiA), University of Wales College, Newport, Wales, U. K. 
Topics: Joseph Nechvatal, lecture, consciousness, cyberspace, internet culture, 1998, immersive, theory,...
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Apr 5, 2020 Joseph Nechvatal
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Évelyne Rogue email interview with Joseph Nechvatal (February 2004) concerning his interactive M2E Viral Counter-Attack project exhibited at Espace Landowski in Paris that year. This interview was originally published in 2004 on the (now defunct) website Artcogitans.com 
Topics: Joseph Nechvatal, Evelyne Rogue, interview, digital art history, 2004, interactive art, Viral...
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Mar 31, 2020 Joseph Nechvatal
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On the occasion of Kiki Smith’s  solo exhibition  at The 11 Conti – Monnaie de Paris, Joseph Nechvatal spoke with her about some of her very first artworks, made between the years 1980 and 1984, including her film  Cave Girls  (co-directed with Ellen Cooper) , several of her audio works, and her performances as a member of The  ABC No Rio Cardboard Air Band .
Topics: Kiki Smith, Joseph Nechvatal, Interview, Art History, Collaborative Projects, post punk, no wave,...
Joseph Nechvatal interviewed by L. Brandon Krall at Galerie Richard, 121 Orchard Street in New York City, about his exhibition Computer Virus 1.0 and the Return of Lazarus that ran from November 8th - December 10th in 2017. This mini-retrospective exhibition consisted of 9 computer-robotic assisted paintings: 4 historic 1993 paintings from Nechvatal’s HyperCard Computer Virus Project (1992-93) that dealt with the AIDS virus epidemic placed in conjunction with computer viruses, 2 small 1988...
Topics: Joseph Nechvatal, interview, contemporary art, 2014
Joseph Nechvatal's research into Virtual Reality technology and its central property of immersion has indicated that immersion in Virtual Reality (VR) electronic systems is a significant key to the understanding of contemporary culture as well as considerable aspects of previous culture as detected in the histories of philosophy and the visual arts. The fundamental change in aesthetic perception engendered by immersion, a perception which is connected to the ideal of total-immersion in virtual...
Topics: Joseph Nechvatal, Immersion, Virtual Reality, Gilles Deleuze, Félix Guattari, VR, Art Theory,...
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Mar 28, 2020 Joseph Nechvatal
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This paper examines the importance of Marcel Duchamp’s La Machine Célibataire (The  Bachelor Machine) on Art and Technology in the 20th and 21st centuries.
Topics: art theory, bachelor machine, sexual politics, identity, gender studies, cultural studies, art,...
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1984 audio recording (edited) of Joseph Nechvatal speaking at the  Drawing Show Forum  at Maryland Institute College of Art with introduction by Richard Martin
Topics: Joseph Nechvatal, drawing, 1984, artist statement, archival recording
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Dec 11, 2017 Joseph Nechvatal
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The audio track Information Noise Culture  (aka Ecstatic Product ) was created as a sound-loop that played inside a 5x5x5 foot square xerox-covered sculpture (also titled Information Noise Culture ) by Joseph Nechvatal that was shown in Paris by Galerie Antoine Candau in 1990 at All Quiet on the Western Front.
Topics: art music, noise music, sound collage
Source: Joseph Nechvatal
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Aug 13, 2015 Joseph Nechvatal
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Label: Sound of Pig Music Text: Ovid Metamorphoses Voice: Jane Smith Audio: Joseph Nechvatal with technical assistance of Harvestworks NYC
Topics: No Wave, audio art, noise, collage, cassette
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Nov 28, 2011 Joseph Nechvatal
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(mixed tape) from: ~~~~~~~~~~~~~~~~~venus©-~Ñ~vibrator, even
Topics: Nechvatal, venus, cyber-sex, farce, audio, art, vibrator, 1995, theory
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Nov 28, 2011 Joseph Nechvatal
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These are the sound/text audio files created in collaboration with David Lee Myers that draw from Joseph Nechvatal's 39,907 word cyber-sex farce called ' ~~~~~~~~~~~~~~~~~venus©-~Ñ~vibrator, even ' that Nechvatal wrote during his artist-in-residency at the Cite des Art International in Paris during 1995. Nechvatal edited the text to a final version in NYC in 1999. A portion was presented via an audio computer reading as part of Joseph Nechvatal's exhibition 'vOluptuary : an algorithic...
Topics: Nechvatal, venus, cyber-sex, farce, audio, art, vibrator, 1995, theory
Cratediggers
Sep 14, 2010 Joseph Nechvatal
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A James Brown vocal cut-up morphs into a sonic punching ball, both ironic and cruel. Sword fight sounds from some Japanese cartoon are reduced to semaphoric and phoney gesticulations for several minutes. And thatâs only the beginning of Reckless, a Joseph Nechvatal cassette from 1984. Yet, compared to his other cassettes, the music on Reckless is surprisingly uncluttered, even serene at times, as pauses and silences have been inserted and the music being based on one sample at a time. This is...
Topics: noise music, audio art, sound collage, audio sampler, Plunderphonics, Synthesizer
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May 31, 2009 Joseph Nechvatal
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No Wave audio art noise collage cassette released in 1985 on XOX-001 cassette
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Topics: no wave, audio art, noise music, audio collage, cassette
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May 27, 2009 Joseph Nechvatal
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No Wave audio art noise collage cassette by Joseph Nechvatal released in 1983 on Sound of Pig Music (SOP 140)
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Topics: no wave, audio art, noise music, audio collage, cassette